Wolfe Studios released a tarot deck's worth of stories about me over the years. One of the very first still has legs in the archivist's halls, or at least people tell me they see it there, scuttling between the yellowing stacks of tabloids and the ancient silver film that has been enchanted not to burn.

In that first story, I'm a leggy fourteen, sitting on the curb in front of my father's laundry on Hungarian Hill. I'm wearing waxy white flowers in my hair, and the legendary Harry Long himself, coming to pick up a suit for his cousin's wedding, pauses to admire me.

"Hola, China doll," he says, a bright red apple in his hand. "Do you want to be a movie star?"

"Oh sir," I'm meant to have replied, "I do not know what a movie star is, but would you give me that apple? I am so very hungry."

Harry Long, who made a sacrifice of himself to himself during the Santa Ana fires when I turned twenty-one, laughed and laughed, promising me a boatload of apples if I would come to the studio to audition for Oberlin Wolfe himself.

That's bullshit, of course.

What halfway pretty girl didn't know what movies were? I knew the names of the summer queens and the harvest kings as well as I knew the words "chink" and "monkey face," hurled at me and my little sister as we walked hand in hand to the Chinese school two miles from our house. I knew them as well as I knew the lines in my mother's face, deeper every year, and the warring heats of Los Angeles summer and the steam of the pressing room.

The year I was seven, my father returned from Guangzhou to stay with us in America, and they built the nickelodeon between our laundry and the Chinese school. The arcade was far better than any old apple, and from the first, I was possessed, poisoned to the core by ambition and desire. The nickelodeon took over a space that had once sold coffins, terrible luck whether you were Chinese, Mexican, or German, but the moment they opened their doors and lit up the orangey-pink neon sign overhead, COMIQUE in the cursive I was having such trouble with, they were a modest success.

Luli and I were walking home one hot day, and we would have kept walking if the tall woman lounging in her ticket booth hadn't tipped an extravagant wink at me. Her skin was a rich black, and her hair was piled up on her head in knots so intricate in hurt my eyes. It wasn't until we got a little closer that I could see her eyes gleamed with the same orangey-pink of the sign overhead, and even then, I might have decided it was too late.

Siren Queen, Nghi Vo