In a town house at a fashionable address on Manhattan’s Upper East Side, every lamp blazed. There’s a party going on—the last of the summer. Out on the terrace overlooking Manhattan’s incandescent skyline, the orchestra takes a much-needed break. It’s ten thirty. The party has been on since eight o’clock, and already the guests are bored. Fashionable debutantes in pastel chiffon party dresses wilt into leather club chairs like frosted petits fours melting under the July sun. A cocky Princeton sophomore wants his friends to head down to Greenwich Village with him, to a speakeasy he heard about from a friend of a friend. 

The hostess, a pretty and spoiled young thing, notes her guest’ restlessness with a sense of alarm. It is her eighteenth birthday, and if she doesn’t do something to raise this party from the dead, it will be the talk for days to some that her gathering was as dull as a church social.

Raising from the dead.

The weekend before, she’d been forced to go antiquing upstate with her mother—an absolutely hideous chore, until they came upon an old Ouija board. Ouija boards are all the rage; psychics have claimed to receive messages and warnings from the other side using Mr. Fuld’s “talking board.” The antiques dealer fed her mother a line about how it had come to him under mysterious circumstances.

“They say it’s still haunted by restless spirits. But perhaps you and your sister could tame it?” he’d said with over-the-top flattery; naturally, her mother lapped it up, which resulted in her paying too much for the thing. Well, she’d make her mother’s mistake pay off for her now. 

The hostess races for the hall closet and signals to the maid. “Do be a darling and get that down for me.”

The maid retrieves the board with a shake of the head. “You oughtn’t to be messing with this board, Miss.”

“Don’t be silly. That’s primitive.”

With a zippy twirl worth of Clara Bow, the hostess bursts into the formal living room holding the Ouija board. “Who wants to commune with the spirits?” She giggles to show that she doesn’t take it seriously in the least. After all, she’s a thoroughly modern girl—a flapper, through and through.

The Diviners, Libba Bray